DISCOGRAPHY PART
1 |
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discography 1 2 3 4 (original) 5 6 7 8 9 (compilations) I press |
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biography 1 2 3 |
VERVE/COPACABANA VMLP 14013
Reviews:
Dizzy Gillespie (with altoist Leo Wright, pianist Lalo Schfrin,
bassist Bob Cunningham and drummer Chuck Lampkin) were in
peak form for this live performance. Their versions of 'Kush',
'Salt Peanuts' and 'The Mooche' are all excellent, but it
is 'A Night in Tunisia', with its absolutely stunning trumpet
break (which lasts half a chorus), that is most memorable.
--
In Verve's Master Edition series you can get the masterful 1961 album
'An Electrifying Evening with the Dizzy |
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reel-to-reel tape VERVE VSTC 275
Gillespie
Quintet'. Recorded at the Museum of Modern Art, New York City,
the album shows Gillespie and his Quintet at their best. In
comparison with the Oscar Peterson album 'Very Tall', it is
avantgarde. Peterson's album represents the musical universe
of the 50s. A world at peace with itself, happy, optimistic
and entertaining. The Gillespie Quintet presents less harmonious
tunes and a world less balanced. After the demise of the State
Department big band in 1958, Gillespie was back in the familiar
configuration of the classic bebop quintet. |
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An Electrifying Evening With The Dizzy Gillespie Quintet
recorded: February 9, 1961 at the Museum of Modern Art, NYC
issues: #1-4 on VERVE V/V6-8401, 1961 LP VERVE VG8401, VERVE MGV-8401 ;
1961 LP VERVE 3381465 ; HMV CLP 1586 (mono) ; reel-to-reel tape VERVE VSTC
275 ;
CD VERVE/UNIVERSAL 314 557 544-2 ; Nov. 9, 1999 CD POLYGRAM UNI/VERVE
557 544 (Verve Master Edition Series) ; Dec. 31, 1999 CD VERVE 1810501
(Master Edition Series)
DIZZY GILLESPIE (tp, voc on #1); LEO WRIGHT (as, fl); LALO SCHIFRIN
(p); BOB CUNNINGHAM (b); CHUCK LAMPKIN (dr)
1. Duke's Intro & Dizzy's Rap
(aka Introduction by D. Ellington & D. Gillespie)
2. Desafinado
3. Lorraine
4. Long Long Summer
5. Oo Pop A Da
6. Pau De Arara
7. Kush |
(Antonio Carlos Jobim)
(Gillespie)
(Boris Cladio Schifrin)
(Gillespie/Fuller)
(DeMoraes/Traditional)
(Gillespie/Shaw) |
VERVE MGV-9016 ;
1962 VERVE CSD 1453 (original UK mono press on HMV),
1981 VERVE UMV 2605 (Japan) (stereo) & VERVE/COPACABANA
VMLP 14013 (Brazil):
Side A
1. Kush (Gillespie)
2. Salt Peanuts (Gillespie/Clarke)
Side B
1. A Night In Tunisia (Gillespie/Paparelli)
2. The Mooche (Ellington/Mills) |
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Note: HMV = HIS MASTERS VOICE.
#5-10 from this concert have originally been unissued. Engineer: Tom
Nola. Notes by Ralph J. Gleason (VERVE V/V6-8401) and Mark Gardner
(CD VERVE 314 557 544-2). CD VERVE 314 557 544-2 also includes the
18-minute Interview with Dizzy Gillespie by concert producer Charles
Schwartz, which took place during the above event. Candido Camero
is said to have played congas during this concert, but did not play
on any of the issued titles. |
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The Essential Dizzy Gillespie
recorded: February 9, 1961
issued: 1964 VERVE V6-8566
DIZZY GILLESPIE, JOE GORDON, LEE MORGAN, CARL WARWICK, ERMET
PERRY, ROY ELDRIDGE (tp); QUINCY JONES (tp, arr.); AL GREY, MELBA LISTON,
ROD LEVITT, FRANK REHAK (tb); LEO WRIGHT (fl, as?); PHIL WOODS, ERNIE
HENRY (as); SONNY ROLLINS, SONNY STITT, BENNY GOLSON (ts); MARTY FLAX,
BILLY ROOT (bar-s); OSCAR PETERSON, WYNTON KELLY, LALO SCHIFRIN, RAY
BRYANT (p); HERB ELLIS (g); NELSON BOYD, RAY BROWN, TOM BRYANT, BOB
CUNNINGHAM, PAUL WEST (b); CHUCK LAMPKIN, CHARLIE PERSIP, MAX ROACH,
LOUIE BELLSON (dr); CANDIDO CAMERO (cga)
1. The Champ
2. Exactly Like You
3. Jessica's Day
4. It Don't Mean A Thing
5. Sometimes I'm Happy
6. Birk's Works
7. I Know That You Know
8. A Night In Tunisia |
(Gillespie)
(Fields/McHugh)
(Jones)
(Ellington)
(Caesar/Grey/Youman)
(Gillespie)
(Caldwell/Youmans)
(Gillespie) |
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VERVE V6-8423 |
Carnegie Hall Concert / The Dizzy Gillespie
Big Band
recorded: March 4, 1961 live at Carnegie Hall, NYC
issues: VERVE V/V6-8423 (#1,2,4,9,10) ; VERVE 2304429 ;
as The Dizzy Gillespie Big Band 'Live' 1962 VERVE V6-8423 ;
also on Gillespiana-Carnegie Hall Concert 1993 VERVE CD 314 519 809-2 ;
#2,4 also on Dizzy's Diamonds: Best Of The Verve Years VERVE CD 314 513 8752;
#2 also on VERVE CD 314 527 504-2 ;
#10 also on Dizzy Gillespie Talkin' Verve VERVE CD 314 533 846-2
DIZZY GILLESPIE (tp; voc #4-10?); JOE CARROLL (voc #4-10?); JOHN FROSK, CLARK TERRY, CARL
"BAMA" WARWICK, NICK TRAVIS (tp); GEORGE MATTHEWS, ARNETT SPARROW, BRITT
WOODMAN, PAUL FAULISE (tb); GUNTHER SCHULLER, JIMMY BUFFINGTON, JOHN
BARROWS, RICHARD BERG (fr-h); DON BUTTERFIELD (tu); LEO WRIGHT (as;
fl #9); LALO SCHIFRIN (p, arr); ART DAVIS (b); CHUCK LAMPKIN (dr); RAY
BARRETTO (cga); JULIO COLAZO, JOSE MANGUAL (#2-4,9,10) (perc)
1. This Is The Way
2. Manteca
3. Things To Come [unissued]
4. Ool-Ya-Koo
5. Ow [unissued]
6. Emanon [unissued]
7. Con Alma [unissued]
8. I Waited For You> [unissued]
9. Tunisian Fantasy (aka Night In Tunisia)
10. Kush |
(Dizzy
Gillespie)
(Chano Pozo/D.Gillespie/Gil Fuller)
(Dizzy Gillespie)
(Gil Fuller/Dizzy Gillespie)
(Dizzy Gillespie)
(Dizzy Gillespie)
(Dizzy Gillespie)
(Dizzy Gillespie/Frank Paparelli)
(Dizzy Gillespie/Shaw) |
Producer: Not listed (prob. Norman Granz). Notes by Mort Fega (VERVE V/V6-8423) and
John McDonough (CD VERVE 314 519 809-2). |
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A Night In Birdland Live, Vol. 1 / The Dizzy Gillespie Sextet
recorded: May 13, 1961 at Birdland, New York City
issues: CD YADEON (Jap) 500
#1-3 and #9-11 on The Remainder Of Yadeon / Buddy
Rich, Art Blakey and
Dinah Washington CD YADEON (Jap) 500, without Lalo Schifrin ;
January 19, 1999 Night At Birdland (live) / Art Blakey, Dinah Washington & Dizzy Gillespie with Buddy Rich, The Jazz Messengers CD JAZZ HOUR 73594 (NL)
DIZZY GILLESPIE (tp); LEO WRIGHT (as, fl); LALO SCHIFRIN (p); BOB CUNNINGHAM (b); CHUCK
LAMPKIN (dr); CANDIDO CAMERO (cga)
1. A Night In Tunisia / Art Blakey
2. What A Difference A Day Makes
3. Makin' Whoopee
4. Somewhere Along The Line
5. This Bitter Earth
6. A Foggy Day
7. Unforgettable
8. There Goes My Heart
9. Swing Low, Sweet Cadillac /
Dizzy Gillespie Sextet
10. My Man / Dizzy Gillespie Sextet
11. Toccata / Dizzy Gillespie Sextet |
(Gillespie/Paparelli)
(Adams/Grever)
(Donaldson/Kahn)
(Merrick/Washington)
(Otis)
(Gershwin/Gershwin)
(Gordon)
(Davis/Silver)
(Gillespie)
(Charles/Pollack/Willemetz/Yvain)
(Schifrin) |
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Review:
This unusual session consists of a complex six-movement suite by J.
J. Johnson featuring Dizzy Gillespie's trumpet over a brass choir (6
trumpets, 2 trombones, 2 bass trombones, 4 french-horns and 2 tubas),
bass, drums, percussion and two harps. Often reminiscent of classical
music, Johnson's writing allows plenty of room for Gillespie to improvise.
The result is a rather unique set of music that is well worth searching
for. |
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Perceptions / Dizzy Gillespie
recorded: May 22, 1961
issues: VERVE 8411 (original release) ; VERVE V6-8411 ;
September 23, 1997 CD VERVE & POLYGRAM 537 748 (Universal Distribution)
DIZZY GILLESPIE, ERNIE ROYAL, BERNIE GLOW, NICK TRAVIS, JOE WILDER,
DOC SEVERINSEN (tp); URBIE GREEN, JIMMY KNEPPER (tb); LEO WRIGHT ? (as);
JAMES BUFFINGTON (fr-h); JOHN BARROWS, ROBERT NORTHERN (fl-h); WILLIAM
STANLEY (tu); LALO SCHIFRIN (p); GEORGE DUVIVIER (b); CHARLIE PERSIP
(dr); GUNTHER SCHULLER (cond); J. J. JOHNSON (arr., comp.)
1. The Sword Of Orion
2. Jubelo
3. Blue Mist
4. Fantasia
5. Horn Of Plenty
6. Ballade |
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click image to enlarge
Review:
A typical live set by Dizzy Gillespie with his 1961 quintet,
it was recorded at that year's Monterey Jazz Festival. Little
unusual occurs although it is interesting to hear this early
version of Jobim's ‘Desafinado’. Joe Carroll and
Gillespie get to clown around on ‘Oo Pop A Dah’,
but overall, this is a routine performance. |
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A Musical Safari / Dizzy Gillespie featuring Lalo Schifrin
recorded: September 23, 1961 live at the Monterey Jazz Festival, California
issues: 1974 LP BOOMAN BM-8622 ; BOOMAN BM 1001 ; ALA A601 ;
JAZZ LEGACY JL90 (France) ;
also on Monterey Jazz Festival - Dizzy Gillespie 1984
LP VOGUE/KING K23P-6744 (Japan) (licensed by Vogue Records, France) ;
#2-7 also on Oo Pop A Da AFFINITY AFF-142 (E) , RCA VICTOR 20-2480-A & B
DIZZY GILLESPIE (tp, voc #4); LEO WRIGHT (as, fl); LALO SCHIFRIN (p);
BOB CUNNINGHAM (b); CHUCK LAMPKIN (dr); DUKE ELLINGTON (mc); JOE CARROLL
(voc on #4)
1. Duke's Intro & Dizzy's Rap
(spoken Intro by D. Ellington & D. Gillespie)
2. Desafinado
3. Lorraine
4. Long Long Summer
5. Oo Pop A Da
6. Pau De Arara
7. Kush |
(Antonio Carlos Jobim)
(Gillespie)
(Boris Cladio Schifrin)
(Gillespie/Fuller)
(DeMoraes/Traditional)
(Gillespie/Shaw) |
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Note: Bassist and drummer Eldee Young and Red Holt were Ramsey Lewis's rhythm
section. Ramsey guests on piano. |
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Eldee Young And Company
issued: 1961 CADET LPS-791
ELDEE YOUNG (cello, b); LEO WRIGHT (as, fl); MAL WALDRON (p); RAMSEY
LEWIS (p); RICHARD DAVIS (b); RED HOLT (dr)
1. Motherless Child (Billie Holiday)
2. Mr. Kicks
3. When Johnny Comes Marching Home
4. Good-Bye
5. Crazy She Calls Me (Russell/Sigman) |
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Dizzy Gillespie Quintet In Europe
recorded: December 1, 1961 in Munich/West Germany
issues: UNIQUE JAZZ (Italy) UJ-30 ; #4 also on MUSICA JAZZ 2MJP1053
DIZZY GILLESPIE (tp, voc on #1); LEO WRIGHT (fl, as); LALO SCHIFRIN
(p); BOB CUNNINGHAM (b); MEL LEWIS (dr)
1. Lady Be Good
2. No Greater Love
3. The Mooche [incomplete]
4. Night In Tunisia
5. Long Long Summer
Note: On #4 part of intro is missing on Unique Jazz UJ30.
MUSICA JAZZ 2MJP1053 lists recording as Berlin, November 1961. |
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Review:
Wright and Gillespie play standard bop heads in this interesting if
unexceptional set of tunes that includes ‘Lorraine’ and
‘Blues After Dark’. It's typical Dizzy fare from the early
60s - there are moments that fascinate in his solos and the ensemble
work, but much of it leaves you wanting more. The most intriguing number
is an excerpt from the extended ‘Gillespiana’ suite. |
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Dizzy Gillespie Quintet TV-film track
recorded: c. 1961 unknown location & date
issued: RARETONE (Italy) 5015-FC
DIZZY GILLESPIE (tp, voc); LEO WRIGHT (fl, as); LALO SCHIFRIN (p); BOB
CUNNINGHAM (b); CHUCK LAMPKIN (dr)
Blues After Dark
Lorraine
and more |
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JAZZ & JAZZ JJ-606 |
Night In Tunisia / Dizzy Gillespie
recorded: 1961-62 live in Europe
issued: 1989 LP JAZZ & JAZZ JJ-606 (Italy)
DIZZY GILLESPIE (tp, voc on #1); LEO WRIGHT (fl, as); LALO SCHIFRIN (p);
BOB CUNNINGHAM (b); MEL LEWIS (dr)
1. Night In Tunisia
2. Long Long Summer
3. Oh Lady Be Good
4. There Is No Greater Love
5. The Mooche |
(Gillespie/Paparelli)
(Boris Cladio Schifrin)
(Ellington/Mills) |
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Review: Released
for the first time on this 1983 LP, the music on the set features guitarist
Kenny Burrell in four different quartets/ quintets with either tenor
great Illinois Jacquet, trombonist Eddie Bert or altoist Leo Wright
and either pianist Hank Jones or organist Jack McDuff. It is odd that
Columbia did not issue any of the straight-ahead music at the time,
considering Mc Duff's popularity, for the results, even with a few dated
numbers such as 'Mambo Twist', are excellent. After a short while, this
LP went out of print and it took many years to appear on CD. |
COLUMBIA FC 38507
click image to enlarge |
Bluesin' Around / Kenny Burrell
recorded: 1961/62
original issue: 1983 LP COLUMBIA FC 38507 (Contemporary Masters Series US) ;
other issues: COLUMBIA COL 472239 2 (NL) ; COLUMBIA W12-B216112-E
(UK) ; COLUMBIA W12-B216112-U (US) ; 1983 CD SONY MUSIC (Austria) ;
August 19, 1994 CD TRISTAR
KENNY BURRELL (g); ILLINOIS JACQUET (ts); LEO
WRIGHT (as); EDDIE BERT (tb); HANK JONES (p); JACK McDUFF (org);
MAJOR HOLLEY, GEORGE DUVIVIER (b); OSIE JOHNSON, JIMMY CRAWFORD, LOUIS
HAYES, JOE DUKES (dr)
/w GROVER WASHINGTON JR. ?
1. Mambo Twist
2. The Switch
3. The Squeeze
4. Bluesin' Around
5. Bye And Bye
6. Moten Swing
7. People Will Say We're In Love
8. One Mint Julep
9. Mood Indigo |
(Burrell)
(Burrell)
(Burrell)
(Burrell)
(P. D.)
(Bennie & Buster Moten)
(Richard Rodgers/OscarHammerstein)
(Rudolph Toombs)
(Duke Ellington/Irving Mills/Barney Bigard) |
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The Big Band / Dizzy Gillespie Big Band
recorded: 1962, unknown location issues: CD,
CS VERVE 3145113932 ;
also as The Big Band - Dizzy Gillespie Big Band
2 CD Set 1993 LESTER RECORDS CDC 9075 (-B) (USA) (the rest
of this CD without Lalo Schifrin) see >> disco 5
DIZZY GILLESPIE, JIMMY NOTTINGHAM, ROGER GUERIN, STAN RODERIC (tp);
FRANK REHAK, ÅKE PERSSON (tb); JIMMY WALLACE (b-tb); LEO WRIGHT
(as, fl); JULIUS WATKINS, JOHN BURDEN, ANDY MC GAVIN (fr-h); BILLY BUTTERFIELD
(tu); LALO SCHIFRIN (p); CHRIS WHITE (b); RUDY COLLINS (dr); PEPITO RIESTRA (cga)
1. Night In Tunisia
2. Emanon
3. Chega De Saudade
4. Con Alma
5. This Is The Way
6. Kush |
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Review: Tadd Dameron's final session as a leader (he died in 1965) is a definitive set that sums up much of his career.
Some of Dameron's best-known originals are here (incl. ‘On A Misty
Night’, ‘Fontainebleau’, ‘If You Could See Me
Now’ and ‘Our Delight’), and this CD reissue has three
previously un-released alternate takes. For once, Dameron had a large
group of all-stars at his exposure (up to 14 pieces) and could concentrate
on providing the arrangements, while Bill Evans took care of the piano
playing. Among the featured sidemen are tenor saxophonist Johnny Griffin,
trumpeters Charlie Shavers, Joe Wilder and Clark Terry, trombonist Jimmy
Cleveland, Julius Watkins on french horn and drummer Philly Joe Jones;
Barbara Winfield takes two fine vocals. Highly recommended to all Bop
collectors. |
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The Magic Touch Of Tadd Dameron / Tadd Dameron
And His Orchestra
recorded: February 27 (#1-3), March 9 (#4-6), April 16 (#7-10), 1962 in New York City
original release: 1962 RIVERSIDE 9419 ;
other issues: 1962 RIVERSIDE RS-419 ; 1963 NEW JAZZ NJP-8300 ;
The Magic Touch RIVERSIDE RLP 419/RLP 9419 (US-mono/stereo) ; RIVERSIDE SMJ
6288 (Japan) Ltd. Edition ; #1,4 on 7 inch RIVERSIDE 45-474 (US) ;
#6 also on The Compositions Of Tadd Dameron RIVERSIDE RLP 3511/RLP 93511 (US-mono/stereo) ; July
27, 1992 LP RIVERSIDE/OJC-143, CD -143-2, CS -5143 ;
February 12, 1996 FANTASY/ORIGINAL JAZZ CLASSICS 143
TADD DAMERON (p, arr, cond); KENNY DORHAM, BLUE MITCHELL, ERNIE ROYAL, CHARLIE SHAVERS, CLARK
TERRY, JOE WILDER (tp); JIMMY CLEVELAND, BRITT WOODMAN, HENRY COKER (tb);
JOE ALEXANDER, JOHNNY GRIFFIN (ts); TATE HOUSTON (bar-s); CECIL PAYNE
(brass); JEROME RICHARDSON (fl, sax, ts); SAHIB SHIHAB (as); LEO WRIGHT,
JERRY DODGION (fl, as); BILL EVANS (p); BARBARA WINFIELD (voc); JOHN SIMMONS,
GEORGE DUVIVIER, RON CARTER (b); JULIUS WATKINS (fr-h); SHADOW WILSON,
PHILLY JOE JONES (dr)
original issue
1. Our Delight (Dameron)
2. Dial “B” For Beauty
3. Bevan's Birthday
4. On A Misty Night (Dameron)
[unissued]
5. Swift As The Wind
6. Fontainebleau
7. Just Plain Talkin'
8. If You Could See Me Now
9. You're A Joy
10. Look, Stop And Listen |
FANTASY/ORIGINAL JAZZ CLASSICS 143
& RIVERSIDE SMJ 6288 (Japan)
1. On A Misty Night
2. On A Misty Night *
3. Fontainebleau
4. Just Plain Talkin'
5. Just Plain Talkin' *
6. If You Could See Me Now
7. Our Delight
8. Our Delight *
9. Dial B For Beauty
10. Look, Stop And Listen
11. Bevan's Birthday
12. You're A Joy
13. Swift As The Wind
* previously unissued alternate take |
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Dizzy Gillespie Quintet
recorded: (#1,2,6,12) July 24, 1962 live at the 3rd International
Jazz Festival D'Antibes/Juan-Les-Pins ; (#3-5,13,14) July 10, 1962 in New York City ;
(#7-11,15-17) May 1962 in New York City ?
issues: #1,2,6,12 also on Dizzy On The French Riviera
PHILIPS PHM 200-0248,
PHS 600-048, and on PHILIPS Time 9, CD PHILIPS 32JD-124 (Jap) ;
#1,2 also on PHILIPS (Eu) 430794BE ; #1,6 also on
CD MERCURY 832574-2 ;
#5 also on Talkin' Verve - Dizzy Gillespie CD VERVE 314 533 846-2 ;
#2,14 also on CD VERVE 513875-2 ; #9,16,17 also on EMARCY (Jap) 195J-10088 ;
#4,5,13,14 also on New Wave PHILIPS
PHM 200-070, PHS 600-070, TRIP TLP5591, WING MGW12318-W ; #15 also on CD PHILIPS (Jap) 32JD-124 ;
#7,8,10,11 unissued
DIZZY GILLESPIE (tp except #16, voc on #17); LEO WRIGHT (fl, as, voc on
#17); CHARLIE VENTURA (bs, ts); LALO SCHIFRIN (aka "Schiffran" p, arr);
BOLA SETE (g); JOSE PAULO (g #2, tamb on #1,3); CHRIS WHITE (b); RUDY
COLLINS (dr); CARMEN COSTA (cabasa #1, 2, voc #12-16)
1. Pau De Arara
2. Desafinado
3. Chega De Saudade (No More Blues, Pt.1)
4. Chega De Saudade (No More Blues, Pt. 2)
5. Taboo
6. Long Long Summer (Pt. 1)
7. Long Long Summer (Pt. 2)
Sea Sounds (Bruitage Mer)
8. This Is The Way
9. Cubana Be
10. One Alone
11. I Think That Maybe I Should Go Away
12. I Waited For You
13. Morning Of The Carnival
14. Pergunte Ao Joao (aka Ask John)
15. Mount Olive
16. Cubana Be
17. Oo-Shoo-Bee-Doo-Bee |
(DeMoraes/Traditional)
(Antonio Carlos Jobim)
(A.C.Jobim/V.DeMoraes)
(A.C.Jobim/V.DeMoraes)
(M. Lecuona/S.K. Russell)
(Lalo Schifrin)
(Lalo Schifrin)
(George Russell)
(L. Bonfá/A. Naria)
(Silvia/Costa)
(Lalo Schifrin)
(George Russell)
(George Russell) |
Note: MATRIX 25260.
CD PHILIPS (Jap) 32JD-124 = CD PHILIPS 822 897-2.
WING MGW12318-W = WING SRW16318-W (stereo), WC-16318 |
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Lalo = Brilliance - The Piano Of Lalo Schifrin
recorded: 1962 in New York City
issues: 1962 ROULETTE SR-52088 ; 1966 ROULETTE BIRDLAND (S) 52088 ;
also on: The Piano Of Lalo Schifrin ROULETTE BIRDLAND 402 773 (Germany) ;
Tin Tin Deo / Lalo Schifrin 2001 CD FRESH SOUND FSR-CD 319 (Spain)
LALO SCHIFRIN (p); LEO WRIGHT (as, fl); JIMMY RANEY (g); ART DAVIS (b);
RUDY COLLINS (dr); WILLIE RODRIGUEZ (cga, bgo, perc)
1. The Snake's Dance
2. An Evening In Sao Paulo
3. Desafinado
4. Kush
5. Rhythm-A-Ning
6. Mount Olive
7. Cubano Be
8. Sphyros |
(Lalo Schifrin)
(Lalo Schifrin)
(Antonio Carlos Jobim)
(Dizzy Gillespie)
(Thelonious Monk)
(Lalo Schifrin)
(George Russell)
(Lalo Schifrin) |
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AUDIO FIDELITY AFSD-5981-L
AUDIO FIDELITY AFSD-6195
BELLAPHON 1546
'The Other Side of Lalo Schifrin' was released in
1968 on the Audio Fidelity records label. This session is loaded
with Schifrin's supercool and extra suave 'Brazilian period'
compositions (written and cut not too long after Schifrin left
Brazil and took up residence in New York City). And, the session,
while certainly dominantly Brazilian in tone and feel, is really
remarkable for the particular balancing act between Brazilian
sensuality and Gotham City grit that Schifrin pulls off so fluidly
and so effortlessly. An estimable LP, recommended ! Liner notes
written by Joao Tabajara, recorded by William Hamilton; produced
by Herman D. Gimbel. Terrific psychedelic cover design by Rhea
Atkins. |
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AUDIO FIDELITY AFSD 5891
AUDIO FIDELITY 145 046 FBL
7” EP AUDIO FIDELITY FBE 145 221
CD ALEPH 020 |
Bossa Nova, New Brazilian Jazz / Lalo Schifrin And Orchestra
recorded: June 1962 in New York City
original release: 1962 AUDIO FIDELITY AFLP-1981 (mono) =
Bossa Nova Em Nova York 1962 AUDIO FIDELITY AFSD-5981-L ;
other releases: Bossa Nova - A New Sound In Jazz AUDIO FIDELITY 145 046 FBL (NL) mono ; 1968 The Other Side Of Lalo
Schifrin AUDIO FIDELITY AFSD-6195 (reissue of 5981) (stereo)
; Lalo Schifrin: feat. Leo Wright LP BELLAPHON BI-1546 LP (Germany) ; 1981 AUDIO FIDELITY
; 1999 Bossa Nova Groove UBATUQUI UBCD-301 (Spain)
(see Eddie Harris: Bossa Nova for additional titles)
;
Brazilian Jazz (from 1957) November 28, 2000 CD ALEPH
020 ;
#A5,6 & #B3,5
on 7” EP Bossa Nova AUDIO FIDELITY FBE 145 221 (Holland) ;
#B5 on Bossa Nova - Exciting Jazz-Samba
Rhythms Vol. 1 RARE GROOVE RG-2006 (Italy)
LALO SCHIFRIN (p, arr); LEO WRIGHT (as, fl); CHRISTOPHER WHITE (b);
RUDY COLLINS (dr); JOS É PAULO (perc); JACK DEL RIO (cga)
Side A
1. Boato (Bistro)
2. Chora Tua Tristeza
3. Poema Do Adeus
4. O Apito No Samba
5. Chega De Saudade
6. Bossa Em Nova York
Side B
1. O Amor E A Rosa
2. O Menino Desce O Morro (Little Brown Boy)
3. Menina Feia
4. Ouça
5. Samba De Uma Nota So
6. Patinho Feio |
(J. R. Kelly)
(O. C. Neves/L. Fiorini)
(L. Antonio)
(L. Antonio/L. Bandeira)
(A. C. Jobim/V. De Moraes)
(J. Paulo/D. Madrid)
(A. Maria/Pernambuco)
(De Rosa/V. Brasil)
(O. C. Neves)
(Maysa)
(A. C. Jobim/N. Mendonça)
(O. C. Neves) |
Review:
It was an exciting time for Brazilian music in the early 60´s,
when bossa nova and samba rhythms came to occupy a special place
in the heart of American jazz musicians. These contagious rhythms,
lyrical melodies, and sophisticated chord progressions from
Rio, Sao Paulo, and Bahia practically seduced artists like Dizzy
Gillespie, Stan Getz, and, later, Chick Corea. Pianist Lalo
Schifrin, who became one of the world's greatest jazz musicians
and composers, gathered members of Gillespie's band - bassist
Chris White, drummer Rudy Collins, and flutist/saxophonist Leo
Wright - for this exciting date, originally recorded in 1962.
The quartet creates a powerful polyrhythmic sound, with lead
voice switching off between Schifrin's lively ivories and Wright's
graceful flute on the most effective tracks like 'Chora True
Tristeza'. The quartet is enhanced by Latin percussionists Jose
Paulo of Brazil and Jack Del Rio of Argentina; Paulo performs
on the pandeiro, a Brazilian tambourine,
while Del Rio adds subtle emotional whispers of rhythm with
the cabaca, a gourd instrument covered with a loose network
of beads. It's always exciting to hear how Schifrin and his
colleagues egg each other on to play quicker and quicker flurries
of notes, but the slower passages - like the opening minutes
of 'Poema Do Adeus' - create an interesting counterpoint.
The way this tune explodes percussively
tends to indicate that no matter how they try to tame themselves,
these musicians can't quite keep it still for too long. Accept
no substitutes; this is classic Brazilian music in its purest
original form. The music of Brazil has been a great source of
inspiration to jazz musicians all over the world, including
the USA. The contagious rhythms, the lyrical melodies and sophisticated
chord progressions from Rio, Sao Paulo, and Bahia were able
to seduce and inspire artists like Dizzy Gillespie, Stan Getz,
and Chick Corea. |
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PHILIPS 852021
Review:
This LP was pressed in 1962. It´s such a pity that Dizzy
Gillespie Philips' LPs have yet to be reissued on CD, for
the trumpeter (45 at the time of this recording) was at the
peak of his powers in the early '60s. On such songs as ‘In
A Shanty In Old Shanty Town’, ‘Careless Love’,
‘One Note Samba’ and the ‘Theme from Black
Orpheus’, Gillespie and his expanded quintet (with guests
Bola Sete or Elec Bacsik on guitar and Charlie Ventura taking
a memorable bass sax solo on ‘No More Blues Pt. 2’)
show a great deal of spirit and creativity. Leo Wright (on
alto and flute) and pianist Lalo Schifrin are also in fine
form throughout this gem. |
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PHILIPS PHS600-070
WING WL 1152 |
New Wave / Dizzy Gillespie
recorded: July 10, 1962 in New York City
issues: 1962 PHILIPS PHM 200-070, PHS 600-070 ; MERCURY/ WING MGW12318-W ; PHILIPS
652021BL ; TRIP TLP5591 ; 1963 PHILIPS 852021 ; 1963 LP SOLID GREEN
WING WL 1152 ; #1 also on PHILIPS 40076
DIZZY GILLESPIE (tp, arr.); LEO WRIGHT (fl, as); CHARLIE VENTURA (ts,
bs); LALO SCHIFRIN (p, arr.); BOLA SETE, ELEC BACSIK (g); JOSÉ
PAULA (g, tamb); CHRIS WHITE (b); RUDY COLLINS (dr); CARMEN COSTA (voc,
cabassa); QUINCY JONES (prod)
1. In A Shanty In Old Shanty Town
2. Careless Love
3. Chega De Saudade (No More Blues Pt. 2)
4. Taboo
5. Gee Baby Aint' I Good To You
6. One Note Samba
7. Morning Of The Carnival (from Black Orpheus)
8. Pergunte Ao Joao (Ask John) |
(Little/Siras/Young)
(adapted by D. Gillespie)
(A. C. Jobim/V. De Moraes)
(Lecuona/Russell)
(Don Redman/Andy Razaf)
(A.C. Jobim/N. Mendonça)
(L. Bonfá/A. Naria)
(Silvia/Costa) |
PHILIPS PHM 200-070 (mono) = PHILIPS PHS 600-070 (stereo)
WING MGW12318-W (mono) = WING SRW16318-W, WC16318 (stereo)
Note: #4 issued as spliced version using this take and
master 24491 from May 1962. |
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Review: Long out of print,
this highly enjoyable LP finds trumpeter Dizzy Gillespie and his quintet
joined by guitarist Elek Bacsik and percussionist Pepito Riestra for
some joyous explorations of bossa nova rhythms and related material.
This extended version of Antonio Carlos Jobim's 'No More Blues' is
classic and the quintet's renditions of 'Long Long Summer', 'Desafinado'
and 'Here It Is' are also memorable. In addition to the trumpeter,
altoist Leo Wright and pianist Lalo Schifrin have plenty of solo space.
All of Gillespie's Philips recordings should be reissued on CD.
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PHILIPS PHM 200-0248 / 200-070 (mono) = PHILIPS PHS 600-048 / 600-070 (stereo).
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Dizzy On The French Riviera / Dizzy Gillespie
recorded: July 24, 1962 live at the 3rd International Jazz Festival
D'Antibes/Juan-Les-Pins
issues: 1962 PHILIPS PHM 200-0248 (original mono issue), PHS 600-048 ;
PHILIPS B 08167 L ; PHILIPS (Eu) 430794BE ; PHILIPS (Jap) CD 32JD-124 ;
VERVE 822897 ; reel-to-reel tape, 4-track, 7 1⁄2 ISP, VERVE PT-600-048 (stereo) ;
1990 POLYGRAM 822 897 ; CS PHILIPS 822897
DIZZY GILLESPIE (tp); LEO WRIGHT (fl, as); CHARLIE VENTURA (bar-s, ts);
LALO SCHIFRIN (p); ELEK BACSIK (g); CHRIS C. WHITE (b); RUDY COLLINS (dr);
PEPITO RIESTRIA (perc)
Side A
1. Desafinado
2. For The Gypsies
3. Here T'is
4. I Waited For You
Side B
1. Long, Long Summer
2. Mount Olive
3. No More Blues (Chega De Saudade)
4. Pau De Arara |
(Antonio Carlos Jobim)
(Lalo Schifrin)
(Lalo Schifrin)
(A. C. Jobim/Vinicius De Moraes)
(De Moraes/Traditional) |
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reel-to-reel tape |
VERVE PT-600-048 |
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Note:
Possibly recorded in a studio, applause is alleged to have been dubbed
in. Details here from Michel Ruppli's 'The Mercury Label'. Tom Lord
lists 'For The Gypsies' as MATRIX 25359, adding that it is listed
as 'Ole' on certain issues but is identical to 'For the Gypsies'.
The final recorded performance of this title consists of edits of
MATRIX No.'s 24491 and 25260. Selections may have been recorded in
a studio. |
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Live At The Jazz Festival Juan-Les-Pins / Dizzy Gillespie
recorded: July 24, 1962 live at the 3rd International Jazz Festival D'Antibes/Juan-Les-Pins
#2,3,5 also on No More Blues PHILIPS TIME 9 (Eu) 430793BE ;
#2,5,7 also on Dizzy On The French Riviera PHILIPS PHM 200-0248,
PHILIPS PHS 600-048, PHILIPS TIMT 9, PHILIPS (Jap) CD 32JD-124,
PHILIPS (Eu) 430794BE, and on VERVE 822897 ; #6 also on New Wave
PHILIPS PHM 200-070, PHILIPS PHS 600-070, and on TRIP TLP5591,
WING MGW12318-W ; #1,4,8-10 unissued
DIZZY GILLESPIE (tp); LEO WRIGHT (as, fl); LALO SCHIFRIN (p); ELEK BACSIK
(g); CHRIS WHITE (b); RUDY COLLINS (dr); PEPITO RIESTRIA (perc)
1. Long, Long Summer (Remake)
2. Here 'Tis
3. Chega De Saudade
4. Morning Of The Carnival
5. Ole (For The Gypsies)
6. One Note Samba
7. For The Gypsies (Les Gitanes)
8. Shakeldoo Shaddel Daddy
9. This Is The Way
10. Manteca |
(Lalo Schifrin)
(A. C. Jobim/Vinicius De Moraes)
(L. Bonfá/A. Naria)
(A. C. Jobim /Newton Mendonça) |
Note: PHILIPS PHM200-0248 / 200-070 (mono) = PHILIPS PHS600-048 / 600-070 (stereo). |
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Bossa Nova / Dizzy Gillespie
recorded: July 24, 1962 live at
the 3rd International Jazz Festival D'Antibes/Juan-Les-Pins
issued: 1962 EP PHILIPS 430 794 (F)
DIZZY GILLESPIE (tp); LEO WRIGHT (as); LALO SCHIFRIN (p, cond.); ELEK
BACSIK (g); CHRIS WHITE (b); RUDY COLLINS (dr); PEPITO RIESTRA (perc)
1. Chega De Saudade
2. Desafinado
3. Pau De Arara |
(A. C. Jobim/Vinicius
De Moraes
(Antonio Carlos Jobim)
(De Moraes/Traditional) |
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The New Sound Of Jazz, Bossa Nova, Desafinado / Dizzy Gillespie
recorded: July 24, 1962 live at the 3rd International Jazz Festival D'Antibes/Juan-Les-Pins
issued: 1962 EP PHILIPS 430 793 (or -739 ?) BE (UK)
DIZZY GILLESPIE (tp); LEO WRIGHT (as); LALO SCHIFRIN (p, cond.); TZIGANE
ELEK BACSIK (g); CHRIS WHITE (b); RUDY COLLINS (dr); PEPITO RIESTRA (perc)
1. Desafinado
2. Pau De Arara
3. Here T´is |
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Review: Latiny
set recorded for Argo by this trumpet player who normally does fairly
snoozy stuff. The real treat here are the sidemen (and women), because
the session includes performances by Leo Wright, Patti Brown, Willie
Rodriguez, and Ray Barretto. Cuts include 'Goldie's Thing', 'Fast Thought',
and 'Nightingale'. Manny Albam arranged, and the set's got sort of a
mellow Latin vibe, with Don and Leo soloing over the top. |
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Trumpet Caliente / Don Goldie
recorded: October 3, 1962 at Rudy Van Gelder studio
issues: 1962 ARGO PS-708 ; ARGO 709 ; ARGO DJLP 708 ; 1963 CADET LPS-708
DON GOLDIE (tp); LEO WRIGHT (as, fl); PATTI BROWN (p); BARRY GALBRAITH
(g); BEN TUCKER (b); EDDIE SHAUGHNESSY (dr); WILLIE RODRIGUEZ (perc);
RAY BARRETTO (cga); MANNY ALBAM (arr)
Side A
1. Nightingale
2. Fast Thought
3. I Hear A Rhapsody
Side B
1. Shiny Stockings
2. Goldie´s Thing
3. There Will Never Be Another You |
(Cugat/Rosner/Wise)
(Don Goldie)
(Fragos/Baker/Gasparre)
(Frank Foster)
(Don Goldie)
(H. Warren/M. Gordon) |
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Review by Chris Hovan
While the majority of classic jazz albums have obtained their status based
on the innovative nature of the statements contained therein, the fact
remains that there are a sizable number of albums that charm in a way
that is quite different from the virtues of, let’s say, Kind Of
Blue or A Love Supreme. These minor gems may speak in a way that reaches
the listener more directly or they may possibly contain a good number
of favorite standards that just happen to strike a chord with a number
of fans. The point I’m trying to make is that something doesn’t
necessarily have to hit you over the head or be a profound and moving
experience to make it worth spending some time with. In the case of
trumpeter Don Goldie none of the few recorded artifacts that he left
behind could by any standard be considered innovative or radical, yet
they provided an ideal forum for an ebullient and particularly brassy
soloist with something important to say. While he is most clearly associated
with the Dixieland and swing genres through prominent stays with Jack
Teagarden, Lester Lanin, and Buddy Rich, Goldie’s brief period
of solo work from the early ‘60s illustrated that he was indeed
a versatile artist who could very easily lead the show, as he so eloquently
proves in his first Argo release from 1961. Brilliant. |
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Goldie’s
sophomore effort for Argo,`62’s Trumpet Caliente is the subject at hand and it solidifies the trumpeter’s stylistic
muse. For one thing, the engineering this time is provided by Rudy Van
Gelder and one gets an even better chance to hear the finely etched
shadings of Goldie’s astonishingly expressive and full-bodied
tone. Leo Wright is heard on alto sax and flute, pairing successfully
with the trumpeter. Pianist Patti Bown, bassist Ben Tucker, drummer
Ed Shaugnessy, and conga drummer Ray Barretto further support the twosome
on a half-dozen sides that mostly fall in the category of jazz standards.
While swing is at a premium for numbers like 'Fast Thought' and 'There
Will Never Be Another You', the Latin tinge comes into play (thus, giving
some meaning to the Spanish album title) for three pieces that add guitarist
Barry Galbraith, percussionist Willie Rodriguez, and arranger Manny
Albam. Particularly jubilant is a bossa version of 'Shiny Stockings'
with Wright’s flute providing an airy touch. Nothing really gets
above a medium tempo here, but there’s a sense of satisfaction
and amazement at Goldie’s effortless forays that make this set
one of my late night favorites. Like the previously mentioned 'Brilliant'
and his Verve set 'Trumpet Exodus', 'Trumpet Caliente' is worthy of
reissue, even if it means one of the pricey Japanese variety. |
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CONCORD JAZZ 2-2171-2
Reviews:
Unlike Jimmy Smith, Brother Jack McDuff's working groups of
the 60ies always contained a saxophonist, as well as an up-and-coming
guitar star. As a result, McDuff was less prone to substitute
guest stars for the members of his band when he entered the
recording studio. He was not averse to adding special collaborators,
however, and this session finds him doing so with memorable
results. Kenny Burrell, who has never encountered a playing
situation in which he did not sound perfect, works as well
with Mc Duff here as he did with Smith; while Leo Wright,
fresh from an important term with Gillespie's quintet, has
more than enough funk in his alto conception to make his own
valuable contribution. |
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The program is heavily weighted with vintage
blues standards made popular by Count Basie, Erskine Hawkins, and Nellie Lutcher.The
most popular tracks, though, proved to be the intense title
number and the feature for McDuff regular Joe Dukes, 'Soulful
Drums'. McDuff teams up with his regular drummer Joe Dukes, altoist Leo Wright
and guitarist Kenny Burrell for a spirited blues-oriented
set which has been re-issued on CD in the OJC series. ‘Soulful
Drums’, featuring Dukes's drum breaks, was a minor hit.
Other selections on this generally fine organ date include
spirited versions of ‘He's a Real Gone Guy’, ‘After
Hours’ and ‘One O'Clock Jump’ even if the
title cut does not quite live up to its name. |
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Screamin' / Brother Jack McDuff
recorded: October 23, 1962 at VGS, Englewood Cliffs/NJ
issues: 1962 LP PRESTIGE 24013 ; 1963 PRESTIGE 7259 (stereo/2nd pressing) ;
OJC CD-875 (-2) ; Feb.16, 1996 CD PRESTIGE/ORIGINAL JAZZ CLASSICS 7658648 ; 1996 CD FANTASY ;
#A2 also on Rock Candy - Brother Jack McDuff PRESTIGE PRT
24013(-2)
>> see Leo´s disco 4 ;
#A3 also on The Best Of The Concord Years - Brother Jack McDuff
2003, 2 CD CONCORD JAZZ 2-2171-2 ;
#B1 also on Brother Jack McDuff's Greatest Hits PRESTIGE 7481 ;
#B2 also on Brother Jack McDuff Plays For Beautiful People PRESTIGE 7596
>> see Leo´s disco 3
JACK MCDUFF (org); LEO WRIGHT (as); KENNY BURRELL (g); JOE DUKES (dr)
Side A
1. He's A Real Gone Guy
2. Soulful Drums
3. After Hours
Side B
1. Screamin'
2. I Cover The Waterfront
3. One O'Clock Jump |
(Nellie Lutcher)
(McDuff/Thomas)
(Bruce/Feyne/Parrish)
(McDuff)
(Green/Heyman)
(Basie) |
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1 2 3 biography I discography 1 2 3 4 (original) 5 6 7 8 9 (compilations) I press |
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