CARMELL JONES - discography 3

DISCOGRAPHY PART 3
discography 1 2 3 (original) 4 5 6 (compilations) I photos I press		1 2 biography

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32. JAZZ / click image to enlarge

EMERALD

Re-Entry / Horace Silver
recorded: April 16, 1965 (#1,3,4), Feb. 11 & 18 (#2,5), 1966 live at the Half Note in NYC
issues: March 20,1995 VILLAGE (ZYX Distribution) ; 1996 CD 32. JAZZ RECORDS 32005 ; 1996 CD RAM ;
re-issue of The Natives Are Restless Tonight EMERALD EMR-1003

HORACE SILVER (p); CARMELL JONES (#1,3,4), WOODY SHAW (#2,5) (tp); JOE HENDERSON (ts); TEDDY SMITH (#1,3,4), LARRY RIDLEY (#2,5) (b); ROGER HUMPHRIES (dr)

1. Song For My Father
2. The African Queen
3. The Natives Are Restless Tonight
4. Que Pasa
5. The African Queen [alternate take]

All songs written by Horace Silver

Reviews:

These live 1965-66 performances by Horace Silver quintets - including Carmell Jones and Woody Shaw on trumpets, Joe Henderson on tenor, Teddy Smith and Larry Ridley on bass and Roger Humphries on drums - were issued on Silver's Silveto label but remain virtually unknown to Jazz fans. Silver turns in typically energetic solo work, but Henderson's atypical playing deserves the most attention. He experiments with varied tone colors and vocal effects, using multiphonics, screams and honks. He did not continue to emphasize these effects later in his career, but they enrich his playing. Also impressive, Shaw's work is influenced by Freddie Hubbard's but already has a distinctive quality. Shaw's unusual choice of intervals gives his lines a unique contour, and he performs with about as much power as he's ever displayed on record. -- Rare and essential live recordings that capture the great Horace Silver Quintet in action at New York City's 'Half-Note'. Always a force to be reckoned with, Silver's mid-60ies band was consistently adventurous, original and funky, anchored in the steady rhythms of bassist Larry Ridley and drummer Roger Humphries, and steeped in the		passion of Joe Henderson's tenor saxophone. In many ways, these recordings are defined by Henderson's inspired playing, as he gets many chances to step out, drenching each track with his unique and masterful sound. Joe Henderson and Horace Silver both stretch exuberantly on the band's signature hit, 'Song For My Father', which actually surpasses the studio version in sheer excitement. There are two different versions of 'The African Queen', both imbued with a hypnotic intensity that escalates with every note of Woody Shaw's trumpet. On 'Que Pasa', Silver plays with subtlety, darkening the mood with gentle strokes of the keys. Trumpeter Carmell Jones shows such authority on 'The Natives Are Restless Tonight', that it is a wonder he did not attain greater levels of recognition. All of the five tracks on this CD are fairly lengthy, giving the band ample room to stretch. The only tragedy is that none of the songs are allowed to end naturally, and the premature fade-out of Silver's solo at the end of 'Song For My Father' is really frustrating. Nevertheless, this recording features the Horace Silver Quintet playing near the peak of its powers, and is easily recommended.

		Que Pasa Pt. 1 & 2 / Horace Silver recorded: April 16, 1965 live at the Half Note in NYC issues: 7 Inch/45 RPM, BLUE NOTE 1913 HORACE SILVER (p); CARMELL JONES (tp); JOE HENDERSON (ts); TEDDY SMITH (b); ROGER HUMPHRIES (dr) Side A 1. Que Pasa Part 1 Side B 1. Que Pasa Part 2

Wilson’s fourth big band album (and not really recorded "live-stage"! – don’t ask, I have no idea, perhaps this was what it should have sounded like.		Gerald Wilson Orchestra: On Stage recorded: 1965 issued: 1965 LP PACIFIC JAZZ 88 (stereo) [label w/ logo, ‘Deep Groove’ / USA]. various soloists incl.: HAROLD LAND, TEDDY EDWARDS, CARMELL JONES, BOBBY BRYANT (tp); ANTHONY ORTEGA (as); JACK WILSON (p, org), JOE PASS (g); BUD SHANK, ROY AYERS and GERALD WILSON himself on muted trumpet selections incl.: Los Moros De Espana Lately Perdido Musette In The Limelight Recardo Lighthouse Blues

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The Hip Walk / Nathan Davis Quintet
recorded: September 1, 1965 at SABA Tonstudio in Villingen/Germany
issues: SABA 15063 ST ; MPS 15063 ST, MPS/BASF CRM 612, MPS/BASF 21 2061

also reissued as 2 LP´s on one CD Two Originals: Happy Girl & The Hip Walk - Nathan Davis, April 1998 POLYGRAM RECORDS, MPS 539 082-2 (Germany),
>> see bottom of page

NATHAN DAVIS (ts, ss, fl); CARMELL JONES (tp); FRANCY BOLAND (p); JIMMY WOODE (b); KENNY CLARKE (dr); JOACHIM ERNST BEHRENDT (prod.)

Side A
1. The Hip Walk
2. While Children Sleep
3. Train Of Thought

Side B
1. Yesterdays
2. That Kaycee Thing
3. Carmell's Black Forest Waltz
4. B's Blues

(Davis)

(Davis)

(Jerome Kern)
(Davis)
(Carmell Jones)
(Davis)

Note: "When we made 'The Hip Walk', they put a picture with me and my daughter in front of the Eiffel tower in Paris on the front of the record, and on the back what was supposed to be a shot of me playing, taken from behind. But it's not me, it's Ray Pitts, another black saxophonist who was living in Copenhagen.The layout person saw a black saxophonist playing and didn't notice the difference." - Nathan Davis

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Review: original 1967 Czechoslovakia pressed Supraphon flip back scarce issue of the 1966 Prague Jazz festival. Great jazz-vocal album, featuring: Karel Ruzicka, Johnny Dankworth, Steve Race, Tony Carr, Gerd Dudek, Alexander von Schlippenbach, Rune Gustaffson, also featuring a line up of a Swedish Septet with Arne Domnerus, The Paul Bley Trio, John Dankworth Quintet with the amazing jazz vocals of Cleo Laine, the Manfred Schoof Quintet (with Gerd Dudek playing his best solo ever on record), Jean-Luc Ponty with Pierre Favre and others plus a group led by Carmell Jones on trumpet, with a Czech rhythm section. This album has no fillers, every track is deadly up to the minute modal jazz (with the Dankworths being the obvious exception, whilst still good but different) and it must have been a hell of a festival. Irresistible for every jazz-collector, very recommended, very hard to find!

SUPRAPHON SUA 15847

SUPRAPHON 045 0102

International Jazz Festival Prague '66
recorded: 1966 at Lucerna Hall, Jazz Festival Prague
issued: 1967 SUPRAPHON 045 0102 (pre-release sample) ;
1967 SUPRAPHON SUA 15847 (CZ) (mono)

- George Riedel Septet (Sweden): BOSSE BROBERG (tp), ARNE DOMNERUS (as),
C. ROSENDAHL (ts, fl), J. JOHANSSON (p), RUNE GUSTAVSON (g), GEORGE
RIEDEL (b), EGIL JOHANSEN (dr);
- John Dankworth Quintet: JOHN DANKWORTH (as), CLEO LAINE (voc), STEVE RACE (p), SPIKE HEATLEY (b), TONY CARR (dr);
- CARMELL JONES (tp) /w KAREL RUZICKA (p), L. HULAN (cb), I. DOMINÁK (dr);
JEAN-LUC PONTY (v) /w KAREL RUZICKA (p), L. HULAN (b), PIERRE FAVRE (dr);
- Paul Bley Trio (USA): PAUL BLEY (p), M. LEVINSON (b), B. ALTSHUL (dr);
- Manfred Schoof Quintet: MANFRED SCHOOF (crt), GERD DUDEK (ts),
ALEXANDER VON SCHLIPPENBACH (p), B. NIEBERGALL (b), J. LIEBEZEIT (dr)

Side A
1. Jazz Adventures In Swedish Folklore / George Riedel Septet
2. Our Love Is Here To Stay / John Dankworth Quintet (G. Gershwin)
3. Happiness / John Dankworth Quintet (H. Arlen)
4. Please Don't Talk About Me / John Dankworth Quintet (V. Youmans)

Side B
1. My Funny Valentine / Carmell Jones (R. Rodgers)
2. I Want To Talk About You / Jean-Luc Ponty (B. Eckstine)
3. Ramblin' / Paul Bley Trio (O. Coleman)
4. Blues For T / Manfred Schoof Quintet (A. v. Schlippenbach)

German Radio Show		NDR Workshop No. 46 (Norddeutscher Rundfunk) recorded: June 24, 1966 at Ruhrfestspiele in Festlandhalle, Recklinghausen/Germany issued: #10, 16 & 17 on 1966 NDR JAZZ-WORKSHOP 629904 BOSSE BROBERG, TED CURSON, DUSKO GOJKOVICH, CARMELL JONES, RONNIE SIMMONDS (tp); KURT JAERNBERG, ALBERT MANGELSDORFF, ÅKE PERSSON, EMILE VILAIN (tb); DOMINIQUE CHANSON (fl, as, ts, cl); HERB GELLER (as, cl, fl); DANNIE MOSS (ts, b-cl); RAY PITTS (fl, ts); BILL SMITH (cl, arr); HELMUT BRANDT (bs, b-sax); JAN JOHANSSON (p); SPIKE HEATLEY (b); PIERRE FAVRE (dr); HANS GERTBERG (prod.) 1. Straight Ice (4732) 2. Bembasha (4733) 3. Nakiainen (4734) 4. Autobahn (4735) 5. For Satch (4736) 6. Blues For Charlie (4747) 7. Schnaps 8. Pete Pierre 9. Wailing Waltz 10. Helgeandsholmen 11. For Benny 12. The Band 13. For Count 14. I Remember Clifford 15. Explorations 16. Tears For Dolphy 17. For Duke

NDR Jazzworkshop 1966 / Various Artists
recorded: June 24, 1966 at Ruhrfestspiele in Festlandhalle, Recklinghausen
issued: 1966 LP NDR 629 904

Side A #1,3: ACK VAN ROOYEN, MANFRED SCHOOF (tp, fl-h); ALBERT MANGELSDORFF (tb); HELMUT BRANDT (A 1: bar-s, bs. A3: tb, b-tb); EMIL MANGELSDORFF (as, fl); KLAUS DOLDINGER (ts, ss, cl); INGFRIED HOFFMANN (p, org); VOLKER KRIEGEL (g); PETER TRUNK (b, cello); CEES SEE (dr)
Side A #2,4: JAN ALLEN, BOSSE BROBERG (tp); ROLF ERICSON (tp, fl-h); KURT JAERNBERG (tb); ARNE DOMNERUS (as, cl); LENNART ABERG, ERIC NORDSTROEM (ts); CLAES ROSENDAHL (fl, cl); RUNE FALK (bar-s, b-cl); RUNE GUSTAFSSON (g); JAN JOHANSSON (p); GEORG RIEDEL (b); EGIL JOHANSEN (dr)
Side B #1,3,5: BILL SMITH (cl, bandleader); TED CURSON, DUSKO GOJKOVICH, CARMELL JONES, RONNIE SIMMONDS (tp, fl-h); KURT JAERNBERG, ALBERT MANGELSDORFF, ÅKE PERSSON, EMILE VILAIN (tb, b-tb); HELMUT BRANDT, DOMINIQUE CHANSON, HERB GELLER, DANNY MOSS, RAY PITTS (sax, fl, cl); JAN JOHANSSON (p); SPIKE HEATLEY (b); PIERRE FAVRE (dr)
Side B #2: DANNY MOSS (ts); BILL LE SAGE (p); SPIKE HEATLEY (b); TONY CARR (dr)
Side B #4: STAN TRACEY (p); KENNY WHEELER (fl-h); BOBBY WELLINS (ts); JEFF CLYNE (b); JACK DOUGAN (dr)

Side A
1. Night Stop
2. Vals Fran Delsbo
3. Quarten-Walzer
4. Svit I Nagra Satsar

Side B
1. For Duke
2. Small Fry
3. Tears For Dolphy
4. A.M. Mayhem
5. Helgeandsholmen

(Helmut Brandt)
(Jan Johansson)
(Klaus Doldinger)
(Georg Riedel)

(Bill Smith)
(Hoagy Carmichael)
(Ted Curson)
(Stan Tracey)
(Jan Johannson)

On January 9, 1969 Carmell Jones, Carmell who wrote all of his tunes for the broadcast, played at Vienna´s Austrophon Studio with the ERICH KLEINSCHUSTER SEXTET: ERICH KLEINSCHUSTER (tb), ROBERT POLITZER (tp, fl-h), HANS SALOMON (as, ts, b-cl), FRITZ PAUER (p), JIMMY WOODE (b) and ERICH BACHTRÄGL (dr), the show was broadcasted by ORF radio. 24 titles of the famous ORF radio recordings were released on a 2 CD set by EmArcy (Austria) in 2005, entitled: Erich Kleinschuster Sextet w. Joe Henderson, Carmell Jones & Clifford Jordan, Vol. 1. Additonal musicians on the CD´s are: JOE HENDERSON, CLIFFORD JORDAN (ts), RUDI WILFER (p, org) and RUDOLF HANSEN (b).

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Erich Kleinschuster Sextet /w Joe Henderson, Carmell Jones & Clifford Jordan, Vol. 1
recorded: 1968/69 at ORF Vienna
issued: 2005, 2 CD set EmArcy 06249872145 (Austria 2005), (from the ORF Radio Series)

ERICH KLEINSCHUSTER (tb, ld); CARMELL JONES (Disc 2 #1-6) (tp); ROBERT POLITZER (tp, fl-h); JOE HENDERSON (Disc 1 #8-13), CLIFFORD JORDAN (Disc 1 #1-7; Disc 2 #7-11) (ts); HANS SALOMON (ts, bcl); RUDI WILFER (p, org Disc 1); FRITZ PAUER (p Disc 2); JIMMY WOODE (Disc 2), RUDOLF HANSEN (b Disc 1); ERICH BACHTRÄGL (dr)

Disc 1
1. The Highest Mountain
2. Sandra
3. Ee Bah Lickey Doo
4. Jolly And The Ranson
5. Yellow Gale
6. The Goose
7. Doug's Prelude
8. Chelsea Bridge
9. The Kicker
10. Inner Urge
11. Recorda Me
12. Serenity
13. Mamacita

Disc 2
1. The J-Dance
2. A Time For Peace
3. Rush Hour
4. Fantangolin
5. Just Swinging With The Cats
6. And Things Will Change
7. Impressions Of Skandinavia
8. Looking Across
9. 872
10. Vienna
11. Mud House

(Jordan)
( " )
( " )
( " )
( " )
( " )
( " )
(B. Strayhorn)
(Henderson)
( " )
( " )
( " )
( " )

(Jones)
( " )
( " )
( " )
( " )
( " )
(Jordan)
( " )
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Review: Jean-Luc Ponty made a strong impression with his appearance at the `67 Monterey Jazz Festival. Just barely 26 at the time of this obscure but worthy album (his first to appear on an American label), Ponty is teamed with trumpeter Carmell Jones, altoist Leo Wright, pianist George Gruntz, drummer Daniel Humair and an unidentified bassist. In addition to five originals by either Ponty or Gruntz, they perform a pair of pop songs (including Miriam Makeba's 'Pata Pata') and the Beatles' 'With a Little Help From My Friends'. Already a very original player, Ponty's style at this early point was far beyond hard bop and looked a little toward both pop and John Coltrane.

2 LP´s on 1 CD

More Than Meets The Ear / Jean-Luc Ponty
recorded: November 1969
issues: LP LIBERTY 20134 ; WORLD PACIFIC 20134 ; CD ONE WAY RECORDS 17605 ; 1993 F 10271
re-issued on Jean-Luc Ponty: Portrait >> see disco 4

JEAN-LUC PONTY (v); CARMELL JONES (tp); LEO WRIGHT (as, fl); GEORGE GRUNTZ (p, arr.); DANIEL HUMAIR (dr)

Side A
1. With A Little Help From My Friends
2. 3 + 2 = 1
3. California
4. Gimme Little Sign

Side B
1. Pata Pata
2. Pebble Beach Walk
3. Pacific Drove
4. Fort Ord Canon

(Lennon/McCartney)
(George Gruntz)
(Jean-Luc Ponty)
(Alfred Smith/Joe Hooven/Jerry Winn)

(Miriam Makeba/Jerry Regavoy)
(George Gruntz)
(Jean-Luc Ponty)
(George Gruntz)

Liner notes by George Gruntz
It's rather remarkable that the violin should only now have gained unqualified recognition as a Jazz instrument. But at least it did so with a bang ! Yet, according to Johnny St. Cyr, even in the earliest days of Jazz the violin was often used to lend class to a band. Usually the leader played the violin himself, not unlike the fiddling maestros of the European café orchestras. But Jazz was to develop as a music of ‘incitive sounds’ and violin choruses soon, though often quite unjustly, came to be regarded as ‘Vaudeville’ numbers. Today ‘violin renaissance’ is largely attributed to the appearance on the Jazz scene of Jean-Luc Ponty, a young frenchman who was the first completely rid his instrument of its fatal music hall character, Ponty himself says: “I don´t especially want to be a violinist, but a Jazzman”. I first met him in 1961 and was greatly impressed by his performance as a member of a French group that took part in the annual Swiss Amateur Jazz Festival in Zurich. But only 3 years later, thanks to my old friend and compatriot Daniel Humair, were we able to embark open a series of joint ventures which are among the most rewarding experiences of my career. By then, Ponty had developed into what I consider to be a truely great artist - quiet and modest in character, yet always displaying unerring musical taste and outstanding musicianship. Down Beat described him in the following way, “Ponty ... at 24 ... one of the most gifted and important of the youn- ger generation of French jazzmen” (1966); “... at 25 one of the most promising European Jazz musicians” (1967); ”... the 26-year-old phenomenon” (1968). Ponty´s career and his professional recognition are indeed proof that real artistic merit will gain lasting success, a heart-warming thought for anyone who truely appreciates Jazz !

Review: This 'live' concert from 1969 played a pivotal part in the late career of the great Stan Kenton. The reaction of the audience who were expecting a more avant-garde performance was to say the least disapointing and latterly caused Stan to create the new one.

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Stan Kenton Conducts The Berlin Dream Band
recorded: 11/07/1969 at Berliner Philharmonie
issues: Julv 19, 2011, CD SOUNDS OF YESTER YEAR 855

STAN KENTON (p); LEO WRIGHT (as); KLAUS MARMULLA, ROLF ROEMER (ts); HELMUT BRANDT (bar-s, bs); JAN KONOPASEK (bar-s); CHARLES ORIEUX (bs); RON SIMMONDS, CARMELL JONES, HARRY STAMP, MILO PAVLOVIC, MANFRED STOPPACHER (tp); JIGGS WHIGHAM, AKE PERSSON, HENRY MASNICK, SIEGFRIED SCHMIDT (tb); FRITZ DORR (tu); DAI BOWEN (dr); HEINZ NIEMEYER (cga, bgo)

1. Opening Applause
2. Artistry In Rhythm * (Kenton)
3. Reuben's Blues (Gene Roland/Stan Kenton)
4. Stompin' At The Savoy * (Benny Goodman/Andy Razaf/
     Edgar Sampson/Chick Webb)
5. Artemis And Apollo (Johnny Richards)
6. Young Blood * (Gerry Mulligan)
7. Stan Kenton Medley:
    Interlude / Intermission Riff / Opus In Pastels /
    Eager Beaver / Collaboration / The Peanut Vendor (Kenton)
8. To Duke (Improvisations On "Take The 'A' Train") (Billy Strayhorn)
9. Malaguena (Ernesto Lecuona)

*from different album

Liner notes by Michael Sparke

Reviews: The best jazz orchestra recording ever. A virtual Who's Who of American and European players give life to an absolutely incredible sound portrait of Berlin in the Cold War. Soloists Carmell Jones (tp), Leo Wright & Klaus Marmulla (alto saxes), and Slide Hampton ! (tb) sparkle in the setting of Nelson's composition. Nelson himself is transcendent as an alto saxophone soloist. Search out this recording !
--
One of the more modernist efforts by Oliver Nelson, and proof that he could write and play with a shockingly sharp edge, despite all of the mainstream arrangements he was doing at the time. He leads the 'Berlin Dreamband', which is made up of European players, and some

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made up of European players, and some of the best American expatriots of the time-like Carmell Jones, Leo Wright and Slide Hampton. The album is divided into two long pieces: 'Berlin Dialogue For Orchestra' and 'Impressions Of Berlin' - and both have the feel of some of Francy Boland's more "serious" large pieces for the Clarke/Boland Big Band.
--
Mixing Nelson’s easily recognizable style with avantgarde flourishes and lyrical passages, this tribute to the city of Berlin is fascinating to hear, even on repeated listens. Outstanding players, Carmell Jones, Slide Hampton and Leo Wright and flawless performances bring Nelson’s two long-form jazz compositions to life.

Berlin Dialogue For Orchestra / Oliver Nelson And The
"Berlin Dreamband"
Dedicated To The City Of Berlin. Commissioned By Berliner Jazztage.
recorded: November 5, 1970 at the Berliner Jazztage
original release: 1971 FLYING DUTCHMAN FD-10134 ;
re-issues: FLYING DUTCHMAN (Jap) PG-113 ; PHILIPS (Eu) 6369 404 ; MPS 21 20915-6 ;

#B3,5 also on A Dream Deferred - Oliver Nelson FLYING DUTCHMAN CYL2-1449 ; #B6-9 are unissued !

OLIVER NELSON (as, comp, arr, cond); CARMELL JONES, MILO PAVLOVIC, RONNY SIMMONDS, HARRY STAMP, MANFRED STOPPACHER (tp); SLIDE HAMPTON, BARRY ROSS, ÅKE PERSSON, CHARLES ORIEUX, KURT MASNICK (tb); LEO WRIGHT, KLAUS MARMULLA (fl, cl, as); ADI FEUERSTEIN, ROLF RÖMER (fl, ts); JAN KONÒPASEK (bar-s); FREDDY L´HOST (cl); KAI RAUTENBERG (p); HAJO LANGE (b); DAI BOWEN, HEINZ NIEMEYER (perc)

Side A Berlin Dialogue For Orchestra
1. Confrontation
2. Check Point Charlie
3. Relative Calm
4. Over The Wall

Side B Impressions Of Berlin
1. Ku-Damm
2. Wannsee
3. Heidi
4. Berlin Bei Nacht
5. Milestones [aka Miles]
6. Rockin' In Rhythm
7. Black, Brown And Beautiful
8. Down By The Riverside
9. Self-Help Is Needed

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All songs composed, arranged and conducted by Oliver Nelson.

Note: The Berlin Dream Band was composed of members from both Berlin big radio bands: SFB (Sender Freies Berlin = Radio Free Berlin) and RIAS (Radio in the American Sector).
"Berlin Dialogue for Orchestra" commissioned by Berlin Jazz Days and presented as part of Berlin Jazz Days '70.

	Milestones

	Self Help is Needed

	Down By The Riverside

Fantastic Jazz-Funk album from Bulgaria, featuring the amazing vocals of: Donna Hightower & Joy Fleming, also featuring Leo Wright on alto-sax. and Milo Pavlovic on trumpet. Goes from traditionnal Jazz (In The Mood) to more Jazz Funk stuff (Gringo Domingo) via standards (My Funny Valentine), hard to find !

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Festival Orphee D'Or / Paul Kuhn & The SFB Big Band
recorded: 197? live in Bulgaria
issued: LP BALKANTON BTA 1724 (Bulgaria)

DONNA HIGHTOWER (voc A #2-4); JOY FLEMING (voc B #2-4); MILO PAVLOVIC* (tp B5); CARMELL JONES (tp); ANDRÉ PAQUINET* (tb B #6); LEO WRIGHT* (as A #5); HEINZ VON HERMANN* (ts A #6); arranged & conducted by PAUL KUHN ... *=soloists

Side A
1. In The Mood
2. Hoy Tan Bonita
3. My Funny Valentine
4. This World Today Is A Mess
5. South Of The Border
6. Gringo Domingo

Side B
1. Tuxedo Junction
2. Another Door Closing
3. Regentag
4. Half Breed
5. When You Smile
6. I'm Getting Sentimental Over You
7. Travelling Saxes

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Big Band Berlin / Paul Kuhn das SFB Tanzorchester
recorded: 197?
issued: LP HÖRZU SHZE 322 (special edition by ELECTROLA) (Germany) ;
MC HÖRZU 1C244-29694

MILO PAVLOVIC*, CARMELL JONES (tp); ÅKE PERSSON* (tb), ROLF ROEMER* (ts); LEO WRIGHT* (as, fl); EUGEN CICERO* (p); PAUL KUHN (arr., cond.) ... *=soloists

Side A
1. Saturday Night
2. Bye Bye Blues
3. Caravan
4. Schwarze Augen (Dark Eyes)
5. My One And Only Love
6. Big Mama Cass

Side B
1. Mademoiselle Ninette
2. Memphis Underground
3. Alone Together
4. Strippin
5. Windmills Of Your Mind
6. Rush Hour

(Cahn/Styne/arr. Kuhn)
(Hamm/Bennett/Lown/Gray/arr. Kuhn)
(Ellington/Tizol/Mills/arr. Kuhn)
(Traditional/arr. Kuhn)
(Wood/Mellin/arr. Kuhn)
(Sebesky/arr.Simmonds)

(Hildebrandt/Winhauer/arr. Deuchar)
(Mann/arr. Simmonds)
(Schwartz/arr. Kuhn)
(Kuhn/arr. Kuhn)
(Legrand/Bergman/arr. Kuhn)
(Kuhn/arr. Kuhn)

for more recordings with the SFB-Big Band please see >> sfb page 2

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It´s All Wright / Leo Wright
Plays 12 All-Time Hits
recorded: February 26 & 27, 1972 - March 1 & 5, 1972 at Sono-Press-Studio in Berlin
issues: 1972 MPS 21375 ; BASF 20-21375-7 (Germany) ; MC

#A3 also on 25 Goldene Instrumental Welterfolge - Various Artists CD KOCH
>> see disco 6

LEO WRIGHT (as, fl, cl?); MILO PAVLOVIC, CARMELL JONES, ROLF ERICSON, ACK VAN ROOYEN (tp); ÅKE PERSSON, SLIDE HAMPTON, CHARLES ORIEUX, LOU BLACKBURN (tb); EUGEN CICERO (p); LOU BENNETT (org #A3); PIERRE LOUIS, INGO KRAMER (g); JEAN WARLAND (el-b); TONY INZALACO (dr); PETER LEWISON, DAI BOWEN (perc); arranged & conducted by JERRY VAN ROOYEN ; produced by GÜNTER HENNE

Side A
1. He Ain't Heavy, He's My Brother
2. Spanish Harlem
3. Sugar, Sugar
4. Let It Be
5. My Way
6. She's Comin' Back

Side B
1. My Sweet Lord
2. Jerusalem
3. Bridge Over Troubled Water
4. Is This The Way To Amarillo
5. Put Your Hand In The Hand
6. Pink Bossa Nova

(Scott/Russel)
(Leiber/Phil Spector)
(Barry/Kim)
(Lennon/McCartney)
(Anka/François/Revaux/Thibaut)
(Heider/Relin/Jay)

(George Harrison)
(Alpert)
(Paul Simon)
(Sedaka/Greenfield)
(Mac Lellan)
(Leo N. Wright)

Note: SABA/MPS Records 20000 Series: usually given as MPS or BASF or MPS/BASF

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Let´s Swing / Dave Kamien
Jazz zum Mitmachen [Jazz to join in]
recorded: August 9-11, 1979 at Zuckerfabrik Studio in Stuttgart/Germany
issued: 1979 VGS 6013-2

DAVE KAMIEN (p, comp, arr); CARMELL JONES (tp); SLIDE HAMPTON (tb); WILTON GAYNAIR (ts, ss); JOHN MARSHALL (g); BERT THOMPSON (b); WILLI KETZER (dr)

Side A
1. Swanee River
2. Lyn´s Spin
3. Night And Day
4. After You´ve Gone
5. Summertime
6. Breakneck Blues

Side B
same titles as rhythmtracks

(S. C. Foster; Dave Kamien)
(Dave Kamien)
(Cole Porter)
(Creamer/Layton)
(Hajward/Gershwin/Gershwin)
(Dave Kamien)

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Review: The Jay McShann orchestra of the early 40s, best known for having Charlie Parker among its sidemen, only lasted a few years, but made its impact on jazz history. In 1989, pianist McShann had a rare opportunity to record with a big band, a truely all-star outfit. Included among the illustrious players on this CD are trumpeters Clark Terry, Terence Blanchard and Carmell Jones, trombonist Al Grey, the tenors of Hal Singer, Jimmy

Heath and James Moody, altoists Benny Carter and Phil Woods, bassist Jimmy Woode, drummer Mel Lewis, and vocalist Ernie Andrews, among others. With arrangements by Ernie Wilkins and Nat Pierce, virtually all of the players have opportunities to solo, and one comes away particularly impressed by the versatility of Andrews, who fills the roles of a lot of different singers. Highly recommended.

Paris All-Star Blues: A Tribute To Charlie Parker /
The Jay McShann Kansas City Band
recorded: June 13, 1989 at La Villette/Paris
mixed & mastered: September 1990 at BMG Studios/NYC (Sony 1630)
issued: 1992 CD & CS MUSIC MASTERS

JAY MC SHANN (p *1.6.8,9,13); TERENCE BLANCHARD (*1,6), CARMELL JONES (*2,12), TONY RUSSO (tp); CLARK TERRY (*8) (tp, fl-h, voc); AL GREY (*4,11), JIMMY WILKINS (tb); MARC STECKAR (b-tb); BENNY CARTER (*1), PHIL WOODS (*4,5) (as); JAMES MOODY (ts, voc *8,12); HAL SINGER (*1,9), JIMMY HEATH (*2.6.7) (ts); SAHIB SHIHAB (bar-s *11; tb); ERNIE ANDREWS (voc, except on #8; arr #9); JIMMY WOODE (b *7); MEL LEWIS (dr *11); ERNIE WILKINS (cond; arr #1,2,4,7,10,11,13); NAT PIERCE (arr #3,5); BERNARD MAURY, FRANÇOIS BIENSANT (arr #4,12); JOHN SNYDER (prod) * = soloists

1. The Jumpin' Blues
2. Moten Swing
3. I'm Just A Lucky So & So
4. Lonely Boy Blues
5. Parker's Mood
6. Say Forward, I'll March
7. Tender Touch
8. Swingin' The Blues
9. Confessin' The Blues
10. Have You Ever Had The Blues
11. Sebastian
12. Vine Street Boogie
13. Hootie Blues

(Jay McShann/Charlie Parker)
(Benny Moten)
(Duke Ellington)
(Jay McShann/Walter Brown)
(Charlie Parker/King Pleasure I.)
(Jay McShann/Gene Ramey)
(Ernie Wilkins)
(Count Basie)
(Jay McShann/Walter Brown)
(Ernie Andrews)
(Ernie Wilkins)
(Jay McShann)
(Jay McShann)

Paris All-Star Blues / The Jay McShann Kansas City Band
recorded: June 13, 1989 at La Villette/Paris
issued: 2 LP JAZZ HERITAGE 922804W special edition, 2 Record Club exclusive digital recording, vinyl pristine (gatefold cover); 2 CD JAZZ HERITAGE 522804H limited edition

JAY MC SHANN* (p); TERENCE BLANCHARD*, TONY RUSSO (tp); CARMELL JONES* (tp, voc); CLARK TERRY* (fl-h, voc, tp); AL GREY*, JIMMY WILKINS (tb); MARC STECKAR (b-tb); BENNY CARTER*, PHIL WOODS* (as); JAMES MOODY* (ts, voc); HAL SINGER*, JIMMY HEATH* (ts); SAHIB SHIHAB* (bar-s, tb); ERNIE ANDREWS (voc); JIMMY WOODE* (b); MEL LEWIS* (dr); ERNIE WILKINS (arr, cond); NAT PIERCE (arr); JOHN SNYDER, BRAD SIMON (prod, associate prod); ED BERGER, Rutger Institue of Jazz Studies (liner notes) * = soloists

Disc 1
1. The Jumpin' Blues
2. Moten Swing
3. I'm Just A Lucky So & So
4. Lonely Boy Blues
5. Parker's Mood
6. Have You Ever Had The Blues (Take 1)
7. Sebastian (Take 1)
8. Vine Street Boogie (Take 1)
9. Hootie Blues (Take 1)

Disc 2
1. Say Forward, I'll March
2. Tender Touch
3. Swingin' The Blues
4. Confessin' The Blues
5. Have You Ever Had The Blues (Take 2)
6. Sebastian (Take 2)
7. Vine Street Boogie (Take 2)
8. Hootie Blues (Take 2)

Original German pressing of fifth LP of the German afro-jazz group Mombasa; serious afro and funky jazz grooves.

click images to enlarge

Thatagata / Mombasa
recorded: Januar 1980 at Cornet Studio, Cologne
issued: 1980 WIND RECORDS 002 stereo (Germany)

LOU BLACKBURN (trithorn #A1; fl #A1; voc #A1,2; bckgr. voc #A5, #B4; tb #A2,3, #B1,2,3; schalmei #A4; gong #A3); CARMELL JONES (log dr #A1; tp #A2,3, #B1,2,3; voc #A2; cowbell #B1); ED WRIGHT (b #A1,2, #B1-3); TONY NAHAR (log dr #A1; dr #A2,3, #B1,2,3; bckgr. voc #B4); DARRYL WILSON (perc #A3; cga #A4; cga & perc #B3; voc #A5; bckgr. voc #B4); TOM NICHOLAS (perc #A2,3, #B4; log dr #A1; kiento-cga #A4; cowbell #B1; cga #B2; cabasa #B4); DONALD COLEMAN (cowbell #A4; bckgr. voc #A5; cga #B4); prod.: LOU BLACKBURN, MANFRED NIEHAUS, VERA BRANDES; co-prod.: WDR

Side A
1. Reqiem For The Third World
2. Kumbayah
3. Devi Devi Den Beintu
4. Drums Of Mombasa
5. Diana´s Venti

Side B
1. Call And Response
2. Thatagata
3. Zimbabwe
4. O´ Bachulli

(Blackburn)
(Trad., arr. Blackburn)
(Nahar)
(Blackburn)
(Wilson)

(Nicholas)
(Blackburn)
(Blackburn)
(Trad., arr. Coleman)

	click images to enlarge	The Swinging "Kansas City Sound" / Steve Miller K. C. Big Band recorded: 1983 at Soundtrack Studio, Kansas City/MO issued: ALLEN RECORDS RR-42490 STEVE MILLER (p, voc); JULIA TURNER (voc); CARMELL JONES, JIM SELLARDS, VAUGHN SINCLAIR, GARY RICHMOND (tp); RICH COBLE, RANDY SCHULZE, JOHN LEI- SENRING, MARVIN HART (tb); MARSHALL DE MUYNCK, STEVE HEROLD (as); HERMAN BELL, GREG BRIGGS (ts); BOB BALDWIN (bar-s); ROD FLEEMAN (g); GREG WHITFIELD (b); MIKE PERRYMAN (dr); arrangements: STEVE MILLER, CARMELL JONES, JOHN POPE, FRED WAYNE; produced by STEVE MILLER & RON UBELL Side A 1. Goin´ To Kansas City 2. Imagination 3. Shiny Stockings 4. It´s A Wonderful World 5. One For The Money Side B 1. Route 66 2. Just In Time 3. Last Dance 4. Don´t Take Your Love From Me 5. Satin Doll 6. Kansas City Is A Real Down Town

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Comin' Thru / Queen Bey
recorded: October 10, 1987 at Quad-Tech studios, Los Angeles
issued: BEYSTRING PRODUCTIONS 913-541-1674

QUEEN BEY (voc); CARMELL JONES (tp); MIKE BENEDICT (ts); JOE CARTWRIGHT (p, arr.); GREG EICHER (b, arr.); DONALD DEAN (dr)

Side A
1. I Wish I Knew
2. Don´t Misunderstand

Side B
1. Almost Like Being In Love
2. Lover Man
3. Come Back To Me

(H. Warren/M. Gordon)
(G. Parks)

(A. Lerner/F. Loewe)
(G. Gershwin)
(A. Lerner/B. Lane)

click images to enlarge

8th & Central / Jim Mair with special guest Carmell Jones
recorded: 1991
issued: 1991 CD JMP-101

JIM MAIR (ss, as, ts, triangle); CARMELL JONES (tp); JAMES BALL (tb); PAT MORRISSEY (fl-h); FRANK SMITH (p); TIM WHITMER (p on #9); EVERETTE DE VAN (hammond b3, synth); RICHARD ROSS (voc); FRIAN HARMAN (g); MILT ABEL (b); BOB BOWMAN (b on #8); TOMMY RUSKIN (dr); CHICO BATTAGLIA (cga, perc)

1. Isn't She Lovely
2. 8th & Central
3. In A Sentimental Mood
4. A Beautiful Friendship
5. For Gina
6. Mr. S. P.
7. This Time The Dream´s On Me
8. Soulful Grover
9. Sophisticated Lady
10. It's Sand Man

(Stevie Wonder)
(Jim Mair)
(Duke Ellington)
(Stanley Styne/Donald Kahn)
(Jim Mair)
(Jim Mair)
(Harold Arlen/Johnny Mercer)
(Jim Mair)
(Duke Ellington)
(Ed Lewis)

Jim Mair homepage

Liner notes by Chuck Haddix
Fueled by riffs and powered by tight ensemble work, Kansas City jazz rolled across the nation during the mid 1930s. In subsequent years, the gospel of Kansas City jazz spread around the world, impacting the course of jazz music internationally. A common myth about Kansas City jazz is that the tradition ended in 1940 with the fall of the Pendergast political machine. That obituary was a bit premature, as pianist Tim Whitmer & friends aptly illustrate with 'Humorous Intentions' - Kansas City jazz lives! Tim Whitmer and the KC Express are keeping the tradition alive, mere blocks from where it all began in downtown Kansas City. Night after night, Tim's blend of stellar musicianship and entertaining banter delights packed houses at the Phoenix Piano Bar and Grill. Whitmer has never let his formal musical education interfere with his music. Beginning with the City Light Orchestra, he has led outstanding bands that have showcased both up and coming talent and the many jazz legends who make their home in Kansas City. All these facets of Whitmer's music: the respect for the tradition, the combination of older and younger players and artistic integrity come together on 'Humorous Intentions' to create a real gem. Rusty Tucker's exuberant vocal on 'Let the Good Times Roll' gets 'Humorous Intentions' off to a rollicking start. The title track, an original composition by Whitmer, features a playful musical dialogue between Whitmer and Jim Mair on soprano saxophone. The perennial, 'Kansas City' is punctuated by the half-shouted vocal style of the legendary Speedy Huggins and evokes the intemperate spirit of old Kaycee,

Bird's 'Little Suede Shoes' begins with a pensive introduction by Whitmer and moves into a bright Latin groove underlined by Chico Battaglia's fine percussion work. The 3 Basie charts 'Down for the Count', 'Shining Stockings' and 'Kansas City Shout' are the perfect vehicles for Jim Mair's big-toned tenor sax. Carmell Jones' outstanding trumpet work on 'Shining Stockings' exhibits once again why he is in demand for recording sessions with such jazz luminaries as Horace Silver and Gerald Wilson. The lovely 'Poem for George' is a fitting tribute to Whitmer's mentor George Salisbury, who was an educator and gifted pianist. Sterling interpretations of four standards: 'There Will Never Be Another You', 'Summertime', 'Route 66' and 'Mercy, Mercy, Mercy' round out 'Humorous Intentions'. The intention here may be humorous, but Whitmer & the KC Express music is the work of serious artists who succeed as a cohesive unit in working within and adding to a revered tradition, while having a lot of fun in the process.

Humorous Intentions / Tim Whitmer & The Kansas City Express
recorded: January 1992 at Chapman Studios, November 1991 (#7) at Soundtrek Studios, Kansas City/Missouri
issued: 1992 CD Canyon Don Publishing, BMI.

TIM WHITMER (p, perc, bckgr voc, prod, musical dir.); PAT MORRISSEY (tp solo #11, 13); CARMELL JONES (tp solo #6); RUSTY TUCKER (tp solo #4; voc #1, 7); JIM MAIR (as, ss, ts, assoc. prod.); CARL BENDER (bar-s); L.C. SPEEDY HUGGINS (voc #2); LUCKY WESLEY (b); TOMMY RUSKIN (dr); CHICO BATTAGLIA (cga, bgo, perc)

1. Let The Good Times Roll
2. Humorous Intentions
3. Kansas City
4. Kansas City Shout
5. Little Suede Shoes
6. Shining Stockings
7. Poem For George
8. Route 66
9. Struttin' With Some Bar-B-Que
10. There Will Never Be Another You
11. Summertime
12. Down For The Count
13. Mercy, Mercy, Mercy

(Tim Whitmer)

(Count Basie)
(Charlie Parker)
(Count Basie)
(Tim Whitmer)

(Count Basie)

Tim Whitmer homepage

arrangements appear on:

click images to enlarge

Sincerely Ours / Rolf Ericson, Johnny Griffin
recorded: May 27 & 28,1978 at Hansa Tonstudio in Berlin/Germany
issued: 1978 FOUR LEAF CLOVER FLC 502

ROLF ERICSON (tp, fl-h); JOHNNY GRIFFIN (ts); FRITZ PAUER (p); LUKAS LINDHOLM (b); RONNIE STEPHENSON (dr); CARMELL JONES (arr.)

Side A
1. Double Digit
2. Fragrance
3. Oblivion

Side B
1. Taboo
2. Sweet And Handsome
3. Korn Blues

(comp. & arr.: Rolf Ericson)
(comp.: Rolf Ericson; arr.: Carmell Jones)
(comp.: Bud Powell; arr.: Carmell Jones)

(comp.: M. Lecuona/S.K. Russell; arr.: Carmell Jones)
(comp. & arr.: Fritz Pauer)
(comp. & arr.: Heinz von Hermann)

A complete quintet session by Johnny Griffin - appearing here for the first time ever on CD. It marks his only preserved encounter with famous Swedish trumpeter Rolf Ericson. Six of the eight tracks on this disc that lists tenor giant Johnny Griffin and Swedish trumpeter Rolf Ericson as leaders was recorded over two days in May of 1978 -- a great period creatively for Griffin. The other players on the date are pianist Fritz Pauer, bassist Lucas Lindholm, and drummer Ronnie Stephenson. The program consists of originals such as Ericson’s smoking “Double Digit” and the elegant “Fragrance,” and some fine covers including a solid reading of Bud Powell's “Oblivion.” The final two tracks on this set were recorded a few months later with Griffin leading an entirely different band that included pianist Stanley Cowell, drummer Roy Haynes, and bassist Cecil McBee. Both cuts are excellent readings of the jazz standards "Billie’s Bounce” and “Smoke Gets in Your Eyes.” All of this material has been available before on separate LP compilations, but the Jazz Lips imprint assembled the entire Griffin/Ericson session here for the first time on CD This disc features very fine straight-ahead blowing throughout.

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The Berlin Session / Johnny Griffin Quintet with Rolf Ericson
recorded: May 27 & 28,1978 at Hansa Tonstudio in Berlin/Germany ;
bonus tracks #7 & 8: December 1-5, 1978 in Berkeley/California
issued: Feb. 2, 2010 CD JAZZLIPS JL773 (HAR'T Distribution)

ROLF ERICSON (tp, fl-h); JOHNNY GRIFFIN (ts); FRITZ PAUER (p); LUKAS LINDHOLM (b); RONNIE STEPHENSON (dr); CARMELL JONES (arr.)

Side A
1. Double Digit
2. Fragrance
3. Oblivion

Side B
1. Taboo
2. Sweet And Handsome
3. Korn Blues
4. Smoke Gets in Your Eyes
5. Billie's Bounce

(comp. & arr.: Rolf Ericson)
(comp.: Rolf Ericson; arr.: Carmell Jones)
(comp.: Bud Powell; arr.: Carmell Jones)

(comp.: M. Lecuona/S.K. Russell; arr.: C. Jones)
(comp. & arr.: Fritz Pauer)
(comp. & arr.: Heinz von Hermann)
(comp.: Otto Harbach/Jerome Kern; arr.: C. Jones)
(comp.: Charlie Parker; arr.: Carmell Jones)

songs appear on:

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1968 issue

1969 issue / click image to enlarge

Pietoso / The Laco Deczi & Cellula Quintet featuring Laco Tropp
recorded: 1968 in Prague
issues: 1968 LP SUPRAPHON 115 0596 ; 1969 LP SUPRAPHON 015 0596 (mono) [Czech]

LACO DECZI (tp); PETR KRÁL (ts); KAREL RUZICKA (p); PAVEL GRELFONER (b); LACO TROPP (dr); produced by ANTONIN MATZNER

Side A
1. Pietoso
2. These Foolish Things
3. Yesterdays
4. Excecuted Alive

Side B
1. Embraceable You
2. The Silence
3. Jay Hawk Talk
4. A Lot Of Rehersals This Week
And No Money

(Laco Deczi/Petr Král)
(Marwell/Strachey/Link)
(Jerome Kern)
(Laco Deczi)

(George Gershwin)
(Petr Král)
(Carmell Jones)
(L. Deczi/Evzen Jegorov)

click images to enlarge

Review: Simply put, this is a great session. Pianist Don Bennett, a veteran pianist (48 at the time) with an advanced bop-based style, is heard leading a top-notch crew of talented Chicago players. This session, which,other than the lengthy All the Things You Are, originally came out on Southport, will be a bit of a revelation for not only does it show the somewhat obscure Bennett to be a major stylist but it features Art Porter (best-known for his crossover efforts for Verve Forecast) as a high-powered bop soloist; why doesn't he record an album of his own on this level? Another star is the frequently exciting tenor man Ed Peterson (heard here before he recorded for Delmark) and the alternating trumpeters (Art Hoyle and Steve Smyth) also fare well. Don Bennett not only provided five originals (including 'About Time' which sounds like a Blue Note standard from the early 60s) but arranged sections that give this CD a coherent unity. Considering! the consistently strong and enthusiastic solos and the freshness of the music, straightahead jazz collectors can consider this release to be essential.

Chicago Calling / Don Bennett
recorded: May 1 & 2, 1990 at Sparrow Sound Design Studios, Chicago/Illinois
issued: 1995 CD CANDID CDD 79713

DON BENNETT (p, arr, prod); ART HOYLE (1,2,6), STEVE SMYTH (5,8,9) (tp); ART PORTER (as, ss); EDIE PETERSON (ts); ERIC HOCHBERG (b); PAUL WERTICO (1,2,6), DARRYL ERVIN (3-5,7-9) (dr)

1. About Time
2. Sleeping Child
3. Love Found Me
4. Makin Whoopee
5. Dance Of The Night Child
6. Au Private
7. Prayer For Sean
8. Steven's Song
9. All The Things You Are

(Bennett)
(Bennett)
(Bennett)
(Walter Donaldson/GusKahn)
(Carmell Jones)
(Charlie Parker)
(Bennett)
(Bennett)
(Jerome Kern/Oscar Hammerstein)

AMG Bio
An underground legend in Chicago, Don Bennett has never gotten the recognition he deserves as a pianist and a talent scout. He started piano lessons when he was four and was part of the Chicago jazz scene by the late 50s, inspired by Ahmad Jamal, whom he used to see on a nightly basis. In the 1960s, Bennett moved to Los Angeles, studied with Phineas Newborn, and worked on the local scene with Harold Land, Carmell Jones and Curtis Amy, among others. He cut an album with Amy in the late 60s and led a trio date after returning to Chicago, but neither have ever been released. In 1978, he quit music altogether, working at a variety of day jobs (including as a private investigator) for 10 years. In 1988, Bennett returned to jazz with his talents unimpaired. He spent time living in New York and then moved to Holland in 1993. Bennett cut a CD in Chicago in 1990 for the Southport label, which was later reissued by Candid. In addition to such fine players as trumpeter Arthur Hoyle and tenor saxophonist Ed Peterson, Bennett featured the young unknown Art Porter (on alto and soprano) on the bop-oriented material, which included five of the leader's originals.

		I Like It, Vol. 1 / Various Artists issued: November 18, 2003, LP & CD COMPOST RECORDS 145 Grauzone, The Pop Group, Brian Eno, Steve Nye, Dick O'Dell, Ryuichi Sakamoto, David Sylvian, Urs Steiger (prod.); John Amira (cga, soloist); DJ Hell, Peter Kruder (liner notes, compilation); Michael Reinboth (liner notes, compilation, concept) DJ Hell (Gigolo Records) 1. Intro / DJ Hell 2. Who Needs Sleep Tonight / Silicon Soul 3. Part Time Punks / Television Personalities 4. Elle Et Moi / Max Berlin 5. We Are All Prostitutes / Pop Group Peter Kruder (G-Stone) 6. Intro / Peter Kruder 7. Sittin' On Chrome [instrumental] / Masta Ace Inc. 8. Film 2 / Grauzone 9. Habsburg Man / Graf Hadik 10. Always Returning / Brian Eno, Daniel Lanois Michael Reinboth (Compost Records) 11. Intro / Michael Reinboth 12. Bamboo Houses / Ryuichi Sakamoto, David Sylvian 13. Come Out Of The Sandbox / Mary Love-Comer 14. I Want A Chance For Romance / Hector Rivera 15. In The Bottle / C.O.D. Theo Thönnessen (Into Somethin') 16. Intro / Theo Thönnessen 17. Indi / Egberto Gismonti 18. In The Light Of The Miracle / Arthur Russell 19. Carmell's Black Forest / Nathan Davis (Carmell Jones) 20. Wonderland [Original Mix] / Alexander Hope, Blaze

Thank you, Erik for the Mombasa scans !

1 2 biography I discography 1 2 3 (original) 4 5 6 (compilations) I photos I press