|
The articles originate from German newspapers/magazines.
Translations of the first two will follow.
|
|
Jazz Podium, Oktober 1965 |
|
|
|
for a larger version of this photo, please see the >> photo page
|
--
Jazz Podium, February 1969
--
|
|
article issued in 1971 in Berlin
(the marriage has been around April 3, 1971)
Carmell Jones married Blues-singer
Christine Zacher
Saying 'yes' after the jam-session
American alto-saxophonist and vocalist
Pony Poindexter, who is now performing at the Jazzgalerie through
tomorrow evening, hasn't had much time to relax so far. Thursday evening
had become one long, hot jam session with trumpeter Carmell Jones.
After only a short nap, both men were up and around once more: Pony
with his wife as witnesses to a marriage and Carmell Jones as the
groom. Jones was married, at the registry office in Charlottenburg
(district of Berlin), to Austrian Christine Zacher, who'd made a name
for herself as a Blues singer, but has since found work in a civil
capacity. She works at the Carl-Friedrich von Siemens secondary school
in Siemensstadt, instructing the children of Berlin in the Arts, English
and Spanish.
While Pony Poindexter, also appreciated as a "humorous
master-of-ceremonies" by European Jazzclubs, will tour from engagement
to engagement through the big cities of our continent - Carmell Jones,
trumpeter with the SFB-Orchestra for the past few years, will go on
a short honeymoon to Heidelberg with his wife; short, because studio
recording work is set to continue a few days after Easter. |
|
|
Der
Abend, Berlin,
November 26, 1971
Familybusiness
Her father's hobby has obviously made Stellisa Jones fall asleep. The popular
Jazz trumpeter and SFB musician Carmell Jones, who claims to 'never
be pleased with himself' has got something new. After a long, constructive
preparation period, he's created a professional music recording studio
in a side room at the rear of the Jazzgalerie club in Bundesallee.
An item on Carmell´s production-schedule reads:
"young and new music". Nevertheless Stellisa will have to wait for quite
some time until her voice will come right. First it´s mama´s
turn! Carmell Jones presently intends to do a recording featuring both
himself and his wife, Jazz singer Christine Zacher. |
|
|
|
Berliner Morgenpost, Berlin,
Friday November 26, 1971
Stellisa adorns the mixing console
Proudly he looks at what he's created, both alone and with the help of some
friends: his own recording studio with a tape machine, mixing console,
amplifier ...and...and...and. And everyone wanted to come look. In
his shy fashion he basks in the many congratulations of friends present.
American musician Carmell Jones has decided to use the Jazzgalerie
as a recording studio, temporarily. Together with his wife and three
month old daughter Stellisa, he presented his new family business
to members of the Press. Carmell, who began his (pre-professional)
musical career at age nine, wants to do something for the younger
German generation.
"I want to support young musicians, no matter what kind of music they
make. It´s of course important that they have the necessary
skills", declares the new producer. With the advantage of a very low
rent, he is able to stay far below the prices (production costs) of
other studios."I´ve already done some test-productions. They
sound very well." He presents playbacks of his demos together with
his studio technician. They really do sound well. "First", says Carmell,
"we want to record live performances of bands, who perform here at
Jazzgalerie. If the opportunity arises, we will also produce other
artists." Carmell Jones has already had talks with recording-companies
about pressing and distributing the records. "But we haven´t
signed contracts yet". In any case Carmell Jones offers the chance
to young artists to finally make a recording. Manfred Backhaus |
|
|
B.Z.
(Berlin), Friday, November 26, 1971
Carmell Jones' new studio and
Ferdinand Povels first night solo
Stopgap
Daughter Stellisa, almost three months of age, just stared when papa Carmell
Jones presented his recording-studio in Jazzgalerie to the press.
The popular Jazz-trumpeter from Kansas City, featured soloist of the
SFB orchestra for the past few years, doesn´t only want to play
his horn in the future, but also wants to do recordings and produce
the records.
Carmell Jones built a small recording-booth with
his own hands, in a side-room, rear, just off-stage at the Jazzgalerie.
The Jazz club, in which the trumpeter often performs, has good accoustic
qualities. "I think that there are too few recordings which are of
a high musical standard", said Jones. He wants to fill this gap, "I
hope that I can do something valuable." Carmell Jones doesn´t
want to restrict himself to Jazz - he's interested in anything that´s
"young and new."
On the same day, later in the evening, it was 24
year old Dutch tenor-saxophonist Ferdinand Povel´s opening
night. The musician, originally from Haarlem, has been a member
of the Dusko Goykovich Quintet for the past two and a half years,
and has already performed at various festivals and recorded two
live albums of his own at Munich´s Jazz club 'Domicil'
a few months ago. He is reputed to be a great newcomer. Ferdinand
Povel, who's guest performance will continue until Sunday, is heard
here for the first time on his main instrument. In a previous appearance
here, working briefly with the Ira Kriss Trio, playing flute only,
he had to adapt his playing to conform to that group's particular
creative concept. Povel doesn´t have good memories of this
first visit in Berlin: Both his Muramatsu-C-flute and his Armstrong-alto-flute
were stolen just after that last performance (a loss of about 5000
Marks). Horst Westphal |
--
Blue Note calendar 2000: Carmell at Horace Silver´s 'Song For My Father' session
October 26, 1964, Englewood Cliffs/NJ. photo by Francis Wolff. © 1999 Mosaic
Images
for the plain b/w photo please see Carmell´s photo page
--
This full-page ad is from the September 13, 1962 issue of Down Beat Magazine.
|
THANKS TO Mr. Larry Brown Jr. for providing the material ! |
|